Please use this identifier to cite or link to this item: http://buratest.brunel.ac.uk/handle/2438/13490
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dc.contributor.authorDaley, C-
dc.contributor.editorVidal, R-
dc.contributor.editorCornils, I-
dc.date.accessioned2016-11-15T10:28:06Z-
dc.date.available2015-
dc.date.available2016-11-15T10:28:06Z-
dc.date.issued2014-
dc.identifier.citationIn: Vidal, R., and Cornils, I., (eds.) Alternative Worlds: Blue-Sky Thinking since 1900, 2014, pp. 147 - 164en_US
dc.identifier.urihttps://www.peterlang.com/view/9783035397994/xhtml/chapter006.xhtml#hc_17-
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/13490-
dc.format.extent147 - 164-
dc.language.isoenen_US
dc.publisherOxford and New York: Peter Langen_US
dc.subjectJ.G. Ballarden_US
dc.subjectAlternative worldsen_US
dc.subjectVisual cultureen_US
dc.subjectScience fictionen_US
dc.subjectNew wave science fictionen_US
dc.title'The landscape is coded': Visual Culture and the Alternative Worlds of J.G. Ballard's Early Fictionen_US
dc.typeBook chapteren_US
dc.relation.isPartOfAlternative Worlds: Blue-Sky Thinking since 1900-
pubs.place-of-publicationOxford and New York-
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