Please use this identifier to cite or link to this item: http://buratest.brunel.ac.uk/handle/2438/12923
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dc.contributor.authorMoody, P-
dc.date.accessioned2016-07-08T14:03:06Z-
dc.date.available2016-07-08T14:03:06Z-
dc.date.issued2016-
dc.identifier.citationJournal of British Cinema and Television, (2016)en_US
dc.identifier.issn1755-1714-
dc.identifier.urihttp://www.euppublishing.com/toc/jbctv/13/3-
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/12923-
dc.description.abstractFrom May 2000 until its demise in 2011, the UK Film Council (UKFC) was the main film funding body in the United Kingdom. While many critics have analysed the economic successes and failures of individual films that it funded over this period, little has been written about its influence on the UK film industry more broadly. Of the handful of articles that have addressed this area, the question of the diversity of the UK film industry, and the UKFC’s alleged failure to make it more accessible, is a consistent theme, supported by damning data from Creative Skillset and the UKFC’s own reports, which suggest that in many areas the industry is even less diverse now than it was when the UKFC was first established.en_US
dc.language.isoenen_US
dc.publisherEdinburgh University Pressen_US
dc.titleThe UK film council and the ‘cultural diversity’ agendaen_US
dc.typeArticleen_US
dc.relation.isPartOfJournal of British Cinema and Television-
pubs.publication-statusAccepted-
Appears in Collections:Dept of Social Sciences Media and Communications Research Papers

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