Please use this identifier to cite or link to this item: http://buratest.brunel.ac.uk/handle/2438/12759
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dc.contributor.authorMelhuish, C-
dc.contributor.authorDegen, MM-
dc.contributor.authorRose, G-
dc.date.accessioned2016-06-10T11:27:45Z-
dc.date.available2016-06-10T11:27:45Z-
dc.date.issued2016-
dc.identifier.citationCity and Society, 28(2): pp. 222–245, (2016)en_US
dc.identifier.issn1548-744X-
dc.identifier.urihttp://onlinelibrary.wiley.com/journal/10.1111/(ISSN)1548-744X-
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/12759-
dc.description.abstractThis paper explores how Computer Generated Images have enabled the visualisation and negotiation of a new urban imaginary, in the production of a large-scale urban development project in Doha, Qatar. CGIs were central not only to the marketing but also the design of Msheireb Downtown. Our study of their production and circulation across a transnational architectural and construction team reveals how their digital characteristics allowed for the development of a negotiated, hybrid urban imaginary, within the context of a re-imaging and re-positioning of cities in a shifting global order. We suggest that CGIs enabled the co-production of a postcolonial urban aesthetic, disrupting the historical orientalist gaze on the Gulf region, in three ways. Firstly, they circulate through a global network of actors negotiating diverse forms of knowledge from different contexts; secondly, they are composed from a mix of inter-referenced cultural sources and indicators visualising hybrid identities; and thirdly, they evoke a particular urban atmosphere which is both place- and culture-specific, and cosmopolitan. The study emphasises the importance of research into the technical and aesthetic production processes which generate new urban spaces in the context of global market-led growth; and, by considering the circulation of CGIs between sites, contributes to the development of ‘a more properly postcolonial studies’ (Robinson 2011: 17).en_US
dc.description.sponsorshipThe project was funded by a grant from the UK Economic and Social Research Council RES-062-23-3305.en_US
dc.language.isoenen_US
dc.publisherAmerican Anthropological Associationen_US
dc.subjectUrban developmenten_US
dc.subjectDigital visualisationen_US
dc.subjectDohaen_US
dc.subjectPostcolonial studiesen_US
dc.title“The real modernity that is here”: understanding the role of digital visualisations in the production of a new urban imaginary at Msheireb Downtown, Dohaen_US
dc.typeArticleen_US
dc.identifier.doihttp://dx.doi.org/10.1111/ciso.12080-
dc.relation.isPartOfCity and Society-
pubs.publication-statusAccepted-
Appears in Collections:Dept of Social Sciences Media and Communications Research Papers

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