Please use this identifier to cite or link to this item: http://buratest.brunel.ac.uk/handle/2438/10704
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dc.contributor.authorBroadhurst, S-
dc.contributor.authorHarvey, N-
dc.date.accessioned2015-04-30T14:41:03Z-
dc.date.available2010-
dc.date.available2015-04-30T14:41:03Z-
dc.date.issued2010-
dc.identifier.citationBody, Space and Technology, 2010, 9 (1)en_US
dc.identifier.issn1470-9120-
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/10704-
dc.description.abstractThe following is an informal reflection on the changing place of nationality and national consciousness in cultural life with reference to last year’s Biennale. Having drawn tentative inferences regarding the roles of these, we offer a selective review of what appear to us to be the most memorable national representations. These in turn suggest a paradoxical benefit which an awareness of localised histories may bring to artistic production.en_US
dc.language.isoenen_US
dc.publisherBody Space and Technologyen_US
dc.subjectNational representationsen_US
dc.subjectNationalityen_US
dc.subjectNational consciousnessen_US
dc.titleNatio et gens: Venice biennale 2009en_US
dc.typeArticleen_US
dc.relation.isPartOfBody, Space and Technology-
pubs.issue1-
pubs.issue1-
pubs.volume9-
pubs.volume9-
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