Please use this identifier to cite or link to this item: http://buratest.brunel.ac.uk/handle/2438/5078
Title: The physicality of sound production on acoustic instruments
Authors: Williams, Tristan Rhys
Advisors: Croft, J
Barrett, R
Fox, C
Keywords: Musical form and structure;Figuration;Extended techniques;'Musica Povera';Convalescence
Issue Date: 2011
Publisher: Brunel University School of Arts PhD Theses
Abstract: This thesis presents practical research into sound production on instruments, working collaboratively with players, in order to build an understanding of the sounds available. I have explored the way in which instrumental technique can be extended in such a way as to function as the basis for musical material. The function of ‘figuration’ has also be brought into question, by employing seemingly primitive, residual material pushed to such a degree that it is possible to hear what happens underneath a gesture. Research in this area has been conducted by, among others, Helmut Lachenmann and Rebecca Saunders; I am drawn to the way their work highlights the tangible quality of sound. The exploration of the physicality of sound production inevitably encounters the problem that the finished work becomes a catalogue of extended techniques. My research has drawn on the work of these composers and has attempted to resolve this problem by exploring the way in which texture can suggest ‘line’ and the structural implications of sculpting self-referential material through angular and polarized divisions. This facilitates a Braille-like reading of a sound’s progress by foregrounding a non-thematic sound-surface of resonance and decay. This takes a positive and active approach to the problems of musical language, by questioning the functions and expectations put upon music. The possible solutions have been worked through in a series of works for mixed chamber ensembles, in order to investigate the palette possibilities of fusing instruments in intimate settings.
Description: This thesis was submitted for the award of Doctor of Philosophy and was awarded by Brunel University. The thesis is accompanied by 14 compositions which appear in the order specified in the Thesis Introduction.
URI: http://bura.brunel.ac.uk/handle/2438/5078
Appears in Collections:Music
Dept of Arts and Humanities Theses

Files in This Item:
File Description SizeFormat 
Sitting_on_Gertrude_Stein's_Lap.pdfSitting on Gertrude Stein's Lap6.7 MBAdobe PDFView/Open
Double_Duo_for_Violins_and_Bass_Drums.pdfDouble Duo for Violins and Bass Drums12.75 MBAdobe PDFView/Open
Cleave.pdfCleave18.56 MBAdobe PDFView/Open
GAPE-spool-reel-LEADER.pdfGAPE-spool-reel-LEADER6.37 MBAdobe PDFView/Open
LEADER-reel-spool-GAPE.pdfLEADER-reel-spool-GAPE9.39 MBAdobe PDFView/Open
Kapur.pdfKapur18.57 MBAdobe PDFView/Open
Music_for_Three_Cellos_and_Ensemble.pdfMusic for Three Cellos and Ensemble16.45 MBAdobe PDFView/Open
The_Renderer_Composition.pdfThe Renderer - Composition98.41 MBAdobe PDFView/Open
The_Renderer_Performance_Notes.pdfThe Renderer - Performance Notes1.36 MBAdobe PDFView/Open
Piece_for_String_Quartet.pdfPiece for String Quartet6.06 MBAdobe PDFView/Open
Pariete_di_vetro.pdfPariete di vetro14.98 MBAdobe PDFView/Open
Piano_Quintet.pdfPiano Quintet27.96 MBAdobe PDFView/Open
Piano_Trio.pdfPiano Trio55.39 MBAdobe PDFView/Open
The_Sky_is_Thin_as_ Paper_ Here.pdfThe Sky is Thin as Paper Here3.7 MBAdobe PDFView/Open
Invocation.pdfInvocation26.59 MBAdobe PDFView/Open
FulltextThesis.pdfFulltextThesis2.78 MBAdobe PDFView/Open


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