Please use this identifier to cite or link to this item: http://buratest.brunel.ac.uk/handle/2438/10651
Title: Space and the senses: the (syn)aesthetics of Punchdrunk's site-sympathetic work
Other Titles: May 2007: 'Space and the Senses: the (syn)aesthetics of Punchdrunk's site-sympathetic work', . Brunel University Centre for Contemporary and Digital Performance.
Authors: Machon, J
Keywords: (syn)aesthetics;Punchdrunk;Interpretative device;Performance
Issue Date: 2007
Publisher: Body, Space & Technology Journal
Citation: Body, Space, & Technology. Volume 8, 2007
Abstract: My intention with this paper is to discuss the work of Punchdrunk, founded by Felix Barrett, with particular reference to Faust (2006-7), Punchdrunk’s most recent event that enjoyed a run at Wapping Lane, supported by the National Theatre. In doing so I will apply ‘(syn)aesthetics’, my appropriation of this term, as a theory which embraces both practice and analysis in order to show how the ‘(syn)aesthetic style’ identifies a particular, exciting contemporary performance practice exemplified by Punchdrunk’s work. Furthermore, I hope to show that (syn)aesthetics, as an interpretative device, is a vital mode of appreciation to analyse such work.
URI: http://people.brunel.ac.uk/bst/vol08/home.html
http://bura.brunel.ac.uk/handle/2438/10651
ISSN: 1470-9120
Appears in Collections:Dept of Arts and Humanities Research Papers

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